Concert Program
Sanctuary Road: An oratorio Based on the writings of William Still, a conductor for the Underground Railroad
Music by Paul Moravec / Text by Mark Campbell
We Are One
Behzad Ranjbaran
Monday, MaY 7, 2018, 8:00 pm

Behzad Ranjbaran, Composer

      Behzad Ranjbaran is known for music that is both evocative and colorful, and also strong in structural integrity and form. He frequently draws inspiration from his cultural roots and Persian heritage in form and subject matter, as exemplified by the tone poems of the “Persian Trilogy,” or the interpretation of sounds and styles in works such as the Violin Concerto and Songs of Eternity.
      Mr. Ranjbaran’s music has been performed all over the world, including in South Korea where Awakening (commissioned by Sejong Soloists) premiered at the Great Mountains Music Festival as a celebration of peace. His music has been performed by soloists such as Joshua Bell, Renée Fleming, Jean-Yves Thibaudet, and Yo-Yo Ma, and conductors including Charles Dutoit, Yannick Nézet-Séguin, Marin Alsop, Robert Spano, Gerard Schwarz, JoAnn Falletta, Miguel Harth-Bedoya, and David Robertson. He has also served as composer in residence for the Philadelphia Orchestra’s summer season at Saratoga, the Fort Worth Symphony, and the Cabrillo Festival of Contemporary Music.
      Some of his more notable compositions include works for soloist and orchestra. His Flute Concerto was commissioned and premiered by the Philadelphia Orchestra, with Jeffrey Khaner (flute) and Yannick Nézet-Séguin (conductor). Songs of Eternity, using text from the Ruba’iyat of Omar Khayyam, was written for soprano Renée Fleming and premiered with the Seattle Symphony under the direction of Gerard Schwarz. Joshua Bell was the soloist in the premiere performances of his Violin Concerto with the Royal Liverpool Philharmonic Orchestra, also conducted by Schwarz. Jean-Yves Thibaudet premiered the Piano Concerto with the Atlanta Symphony, conducted by Robert Spano.
      The texts for two choral works also draw directly on Persian culture, as do some of his many chamber works, including Fountains of Fin, a eulogy for Amir Kabir, the nineteenth century slain Iranian vezir; Shiraz and Isfahan, celebrating two of Mr. Ranjbaran’s favorite cities in Iran; and Enchanted Garden, inspired by the many beautiful gardens of his native land.
      Described as “music’s magical realist” (Philadelphia Inquirer) and “a master of the orchestra” (Dallas Morning News), Mr. Ranjbaran’s compositions possess “radiant luminescence” (Washington Post) and “qualities of inherent beauty and strong musical structure that make . . . a satisfying musical entity” (Nashville Scene).
      Recordings include the Persian Trilogy on the Delos label by the London Symphony Orchestra, conducted by JoAnn Falletta. This orchestral cycle, comprising the works Seven Passages, Seemorgh, and The Blood of Seyavash, takes its inspiration from ancient Persian legends, as recounted in the 11th century epic poem “Shahnameh” (The Book of Kings). In 2008 the Toronto Symphony Orchestra performed a multimedia performance of the complete Persian Trilogy, with traditional storytelling (Naghali) and projections of Persian miniatures. Ms. Falletta has also conducted Elegy for cello and orchestra with soloist Yo-Yo Ma and the Buffalo Philharmonic, reviewed in the Buffalo press as “ethereal . . . fragile, almost like a mirage.” Among his other recordings is an all-Ranjbaran album of string music on Naxos, including Awakening, String Quartet, Elegy.
      Born in Tehran, Mr. Ranjbaran is the recipient of the Rudolf Nissim Award for his Violin Concerto. He came to the United States in 1974 to attend Indiana University and received his doctorate in composition from the Juilliard School, where he currently serves on the faculty.